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Brand Protection in the Age of the Image

How to catch a fake

How to detect deepfakes using media forensics techniques

How not to lose sight of your company’s images on the Internet?

5 tips for choosing your watermarking solution

A watermark to arm publishers against fake news

Tech Leaks : how serial leakers operate, how to fight as a brand

The role of photography in counterfeiting

[TechCrunch] Imatag inserts invisible watermarks to track images around the web

[TechNadu] Invisible ‘Imatag’ Image Watermarks to Change the Tech Leak Landscape

Protecting The Value Of Your Visuals : Replay Our Webinar Masterclass!

EU Copyright Directive and Photography: identify images to remunerate them

EU Copyright Directive and Photography: the hidden value of your images.

Deepfakes: How to certify the originality of a video?

Securing the image workflow

On the internet copyright is questioned

[Press Release] Imatag is growing and heading for new markets

Making deepfake tools doesn’t have to be irresponsible. Here’s how.

Managing your visual assets AFTER they leave your servers

IMATAG at Brand Protection Congress, 3rd-4th dec. Frankfurt

What do brands like Nike and AFP have in common?

METADATA for “DUMMIES”

State of Image Metadata in News Sites – 2019 update

The agency MAXPPP selects IMATAG and PICRIGHTS to increase its revenues from illicit uses of its images.

IMATAG sponsors CEPIC’s conferences | Fight against fake news | European Directive on Copyright

How Image Monitoring Will Increase Your Web Analytics Capabilities

Managing your Assets AFTER they leave your DAM

The Instagram Clones scandal, or how your photos end up on Pictame

Luxury & Fashion: does branding matter more than product images?

5 Reasons Why Brands Should Monitor Their Images

IMATAG and WEDIA team up to find and identify your images

GOOGLE DISCOVERS COPYRIGHT

Will Europe’s legislation save the press ?

State of image metadata in 2018

Who kills our metadata ?

Professionals’ tips on how to protect your images from online theft

May’s IMATAG SERIES: “Notre Dame des Landes” by Cyril Zannettacci

April’s IMATAG SERIES: “Insomnie” by Irène Jonas

6 examples of uses of digital watermarking

March’s IMATAG SERIES : “Hollywood” by Amandine Besacier

February’s IMATAG SERIES : “May ’68” by Alain NOGUÈS

Survey : photographers and online photo theft

About blockchain and decentralized copyright management of images

January’s IMATAG SERIES, « TRAMWAY 10 » by Marianna QUARTUCCIO.

December’s IMATAG SERIES, « Balkans in War » by Emmanuel Ortiz.

IMATAG: an unbreakable watermark to protect our images

Imatag Uses Invisible Watermarks to Protect Your Photos

Imatag Uses Invisible Watermarks to Protect Your Photos

Imatag protects your images with invisible watermarks

EXPO: Clic Clac! 16 Breton photojournalists in the subway

November’s IMATAG SERIES, “MIN GONGS, PEOPLE OF WORK” by Julien Hazemann.

New breakthrough in image super-resolution

October IMATAG SERIES : « NEPAL’S BURDEN » by Stephen Dock

Watermarking photos to protect the rights holders: video-report on IMATAG

September IMATAG SERIES : « LA VALLÉE » by Pierre de Vallombreuse

DON MCCULLIN HELP US ! Here comes the age of the fake war photographer.

Photo theft : how to frame the usurper

VISIBLE WATERMARKS’ REMOVAL: WILL GOOGLE WIN ITS NEW OFFENSIVE ?

August IMATAG SERIES : « RAVITAILLER L’EMPIRE DU FROID” by François LEPAGE

July’s IMATAG SERIES : “SIMB” by Laurent Gudin

June IMATAG SERIES : « IN(DI)VISIBLES » de FLORENT QUINT.

Comparing two DRM for photos on the web : PixelRights vs EXIF.co

IMATAG creator LAMARK receives funding from french media watch specialist

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